In this episode, ESM faculty Lisa Caravan and Alden Snell discuss their project “Expanding the Curriculum: Commissioning Diverse Repertoire for Intermediate Band and Orchestra,” along with the commissioned composer, Brittany Green. This project was funded in part by a Paul R. Judy Center for Innovation and Research Grant, and highlights how a composer can engage with young musicians to create a relevant and impactful learning experience.

ESM student Rachel Smith chats with Aliana de la Guardia, Artistic Director of Guerilla Opera (Boston, MA), and composer Emily Koh about HER | alive.un.dead: a concert-length media opera about three generations of Asian women in a single family written by Koh.

How do you evaluate your graduate school offers? What should a musician consider when applying in the first place? In this episode, we hear from Dr. Matthew Ardizzone, the Marie Rolf Dean of Graduate Studies at the Eastman School of Music. Ardizzone discusses the factors that applicants should consider when pursuing graduate school, as well as some of the considerations when accepting an offer of admission and assistantships.

In this podcast, Eastman alumni Liza Malamut and Ben David Aronson discuss forming their chamber group Incantare, a consort of sackbuts and violins that highlights the musical and cultural connections of under-explored musicians from the Renaissance and early Baroque periods. The cofounders talk about navigating the needs of the chamber group, connecting with audiences, and balancing their portfolio careers.

NYC cellist Laura Metcalf is one of the founders of The Overlook: an uptown New York City string quartet amplifying the music of Black Composers. This ensemble was a product of the challenges faced in 2020, and acted in response to the murder of George Floyd.

ESM alum Russell Rybicki moved back to his home state of Texas not long before the COVID pandemic slammed the breaks on live orchestra concerts. After a tumultuous time with the San Antonio Symphony, Russell shares his experiences with the San Antonio Philharmonic and the way an orchestra is emerging from ashes of its predecessor, and the lessons musicians have learned along the way.

PhD candidate Pallas Catanella interviews Molly Sonsteng about how she left academia to co-found Madcap Factory and Caveday – two very different but related ventures.