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American Horn Quartet: Having Your Own Ensemble / Performance Opportunities in Europe
March 21, 2008
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Classical Music
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Navigate to different topics in this interview
Migration of horn players to Europe – 0:12
How the quartet started – 0:38
Self management – 2:06
Starting your own ensemble/group – 2:47
Place and traveling – 3:00
Affording a group – 3:20
Rehearsal time – 5:19
Repertoire – 6:01
We do it because we like it – 6:25
Management/agents – 6:58
Self management/Soliciting for concerts – 9:28
Press packet – 10:06
Demo CD – 10:33
Follow up – 10:41
When people call you/tours – 11:05
Contracts – 11:53
Grants – 12:54
Each member is an active participant – 14:03
Merchandise – 15:10
Planning and timing the shipping of merchandise – 15:42
Selecting your music/merchandise based on the audience – 17:04
Taking care of small details – 17:42
Producing your own CD’s – 18:25
Record labels – 18:40
The finances of a self produced CD – 19:23
Giving your CD to a label – 21:24
The CD’s viability vs. publicity and resulting engagements – 22:36
Downloads – 24:18
Competitions – 25:35
Living in Europe and working in the U.S. – 28:02
Tax status, bank accounts, and tax numbers for ensembles – 28:33
Website – 29:44
Buying a domain – 29:56
AHQ website featured on Musical America – 31:15
Content of AHQ website – 31:49
Selling merchandise from your website – 32:17
Ensemble playing: rehearsing and performing – 33:35
Rehearsing – 33:56
Audition – 34:35
Rehearsal and group dynamics – 35:44
Finding performance opportunities and concerts – 37:34
How far in advance do you call a chamber music series – 38:45
Are there still opportunities for American players in Europe? – 39:21
The scene is not the same as it was – 39:29
The European Union – 39:58
Protectionism in the orchestral world – 41:17
Going as a student as a way of seeking opportunities – 41:59
Learn the language – 42:49
Categories of candidates for orchestral openings – 42:57
Closing – 45:22