What mattered in 2014?
January 6, 2015The Danish cartoonist Robert Storm Petersen famously said that “it’s tough to make predictions, especially about the future.” Saying what mattered in 2014 is essentially making a prediction about what people in the future will think about our present. But it’s worth trying nonetheless; 2014 was a pretty dramatic year in our business, and merits […]
Stupid music director tricks, part the 11,347th
December 2, 2014Those handful of us in the orchestra blogging community can always count on some conductor, somewhere, doing or saying something really dumb to rescue us from having nothing to write about. Our latest benefactor is Jaap van Zweden, music director of the Dallas Symphony: Conductor Jaap van Zweden has won international praise for elevating the […]
Friends come and go…
November 21, 2014Many years ago I had a colleague who used to say “friends come and go, but enemies accumulate.” It stuck with me, that saying. On the way home from a dinner party at this colleague’s house, my wife Emily remarked “did you notice how often he said ‘they used to be friends of ours’?” I’ve […]
What It Means to be an Artist
October 28, 2014Being an artist in all its multiplicities of characteristics and talents, is among the most demanding of all demands that we can make of ourselves. We have entered a universe of complexity and simplicity, discovery and delusion. It will never finish. It will never be entirely revealed.
The Third Estate
October 27, 2014If one wishes to contribute to the conversation about how to expand the audience base for American orchestras, then one must talk about what those orchestras are presenting — and right now that’s a taboo subject. The fact is that the discussion about WHAT exactly orchestras are presenting has never taken place. The arbitrary distinction […]
Looking for Perfection in an Imperfect Process
October 20, 2014We recognize that the use of beta-blockers by musicians is a serious and controversial topic. Nonetheless, we feel it is better to discuss it than to pretend that it doesn’t exist. We neither condone or condemn the use of beta-blockers, but wish to have an objective discussion about its use. Feel free to join the […]
It's A Pitch
October 6, 2014This post first appeared in Symposium, the journal of the College Music Society. It is reprinted here with permission. I’ve had two careers in my lifetime: as a symphony orchestra clarinetist and as a technology executive. One of the advantages these dual careers have given me has been the ability to apply my business experiences […]
A Disgusting New Low
September 23, 2014This post originally appeared on the blog Mask of the Flower Prince. It is reprinted here with permission. You know, over the course of the Minnesota Orchestra and Metropolitan Opera labor disputes, I’ve seen a lot of ugly things. Managements in both the disputes resorted to hard-ball tactics and inflammatory rhetoric as part of a […]
Symphonie Addictique?
September 9, 2014Normal Lebrecht recently linked to an article about a British documentary on addiction amongst orchestral musicians: Addiction is blighting the lives of many classical musicians as they grapple with performance anxiety and antisocial hours, a cellist has said. Rachael Lander features in a Channel 4 documentary that brings together classical musicians whose careers have been […]
Who Won the Met Negotiations?
September 5, 2014According to Norman Lebrecht and Terry Teachout, the unions did: (Lebrecht) [Gelb]demanded 16-17% cuts from the orchestra and chorus and settled for 3.5 percent now, 3.5 percent later. No huge pain for the musicians, but huge gain. They have won the right to be party to major spending decisions, limiting Gelb’s powers as manager and […]