Earlier this year, the Eastman School of Music’s Paul R. Judy Center for Innovation & Research, in collaboration with the University of Michigan School of Music, Theatre & Dance’s EXCEL Lab, sponsored Disruption. Action. Change. Creating a More Just and Equitable Arts Ecosystem. As part of the series, our five featured guest wrote blog posts, to coincide with their virtual sessions. In the coming months we will be revisiting our guests’ timely and compelling blog posts. First up is Ashleigh Gordon.
Ashleigh Gordon is co-founder, Artistic/Executive Director and violist of Castle of our Skins, a Boston-based concert and educational series devoted to celebrating Black Artistry through music. In recognition of her work, she has presented at IDEAS UMass Boston Conference and 180 Degrees Festival in Bulgaria; has been featured in the International Musician and Improper Bostonian magazines as well as the Boston Globe; and was awarded the 2016 Charles Walton Diversity Advocate Award from the American Federation of Musicians. Described as a “charismatic and captivating performer,” Ashleigh Gordon has recorded with Switzerland’s Ensemble Proton and Germany’s Ensemble Modern; performed with Grammy-award winning BMOP and Grammy-nominated A Far Cry string ensemble; and appeared at the prestigious BBC Proms Festival with the Chineke! Orchestra.
by Ashleigh Gordon
As a classically-trained musician, I fought for years against the external pressure to pursue an orchestral career when I knew the intimacy of chamber music spoke deeper to my heart. As an educator, I wrestled with how I could effectively reach a child in a classroom setting when I found one-on-one, mentor-mentee relationships more natural and impactful. I knew I was creative and found excitement bringing a daydream into a tangible reality. I enjoyed research, history, storytelling, having autonomy in my work, and connecting with my cultural roots. I grew to love my identity as a Black woman violist.
I share these as realizations about myself that took years to fully own and whole-heartedly embrace. These understandings – which now serve as the bedrock for how I authentically engage with the world – shape my work as Artistic and Executive Director of Castle of our Skins, a Boston-based concert and educational series dedicated to celebrating Black artistry through music.
For the past eight years (and counting), I have presented the works of African diasporic composers alongside spoken word, dance, visual arts and other mediums, flooding classrooms and concert stages with centuries worth of artistic excellence. Through performances, residencies, commissions, workshops, and more, I have made it a common mission for both myself and the organization to showcase a wide breadth of Black artistry that spans genres, generations, genders, and geographies. I have done – and continue to do – this from a place of authenticity, genuine passion, and deep-seeded purpose. Representation continues to be foundational in my work. Black voices continue to be centered on stage and off. Cultural exploration remains a constant reason to both celebrate and normalize diversity and is not conditional to an anniversary, date on a calendar, response to yet another example of injustice, or matter of convenience.
To encourage artists/arts organizations to join in this continual and intentional centering of the underrepresented, I would like to offer three simple thoughts:
- Know your motivations; name your intentions: As this is not the work of a 100-meter dash but a marathon spanning generations, it is crucial to know what is driving your work and why. Keep those answers top of mind all the time as honesty and authenticity are the fuel that will drive your well-meaning efforts beyond the limits of pure passion and a reaction to the times.
- Strength is in community: Collaboration not competition will make for more sustainable efforts as strength lies in numbers. Collectively, we have the ability to challenge, push, support, and inspire a movement that lasts beyond a headline or topical trend.
- Share resources: Knowledge is power as we know and have heard countless times. Sharing what you know, have learned, have tried and failed, and tried and succeeded is essential to our collective understanding in how we can build a healthy arts ecosystem devoid of the inequities that continue to plague it (and us).
As said by writer, choreographer, activist and author Andrew Simonet in his Making Your Life as an Artist: “Culture needs you to do it (your art) and do it well.” We each, as cultural influencers, have an awesome and unique responsibility to fulfill. At the same time, it is imperative that we each remain steadfast and truly elevate the marginalized in all of our work if we are to disrupt a centuries old system of inequity. Our collective and creative future quite literally depends on it.