The #1 Most Important Thing in Music Careers Hasn’t Changed

December 4, 2019 In: Sound Bits

Doesn’t it feel like as a musician in the 21st century, you are pulled in a hundred different directions? You’ve got social media posts to attend to, blog posts to write, receipts to file, grant proposals to write, and the list goes on. So, what’s the priority? What is the most important thing? I remember […]

Boost Your Creativity with this One Simple Idea

November 20, 2019 In: Sound Bits

Creativity is all about making connections between seemingly disparate ideas, and developing many possible solutions to a given problem. You may ask, why do we want to boost our creativity? For one, in the non-stop social media and saturating news cycle of the 21st century, employers are looking for people that bring creativity to their […]

5 New Grant Proposals Awarded Funding

November 6, 2019 In: PRJC News

The Paul R. Judy Center for Innovation and Research is pleased to announce five new projects that have been awarded funding through the PRJC Grant Program. The grant committee received a wealth of excellent proposals for innovative projects and research surrounding the topic of innovative ensembles. Here are the projects that have been awarded funding […]

Does Your Musician Bio Need Help? We’ve Got You Covered!

October 23, 2019 In: Sound Bits

When is the last time you updated your bio? If we are honest, it probably has outdated information, doesn’t have the catchiest opening, and could be more enjoyable to read. If your bio needs a refresh, we’ve compiled a list of resources to help! Need some inspiration and examples? Here are 9 classical musician bios […]

Operatic Ethnography and The Industry’s Sweet Land

October 8, 2019 In: Ahead of the Beat

The article below was written by Megan Steigerwald Ille, a 2018 Paul R. Judy Center Grantee.  What does it mean to perform opera outside of the opera house? This question has driven my research and writing in opera studies since 2015. To answer this question, I have relied on methods familiar to traditional musicology, such as […]

10 Things Orchestras (Or Really Any Ensemble) Should Take Note Of

September 25, 2019 In: Sound Bits

Aubrey Bergauer recently stepped down from the position of Executive Director of the California Symphony to serve as an adviser to arts organizations. In our opinion, she is someone to watch and listen to, and in this recent article, she offers a “Top 10 check list” for orchestras to consider. Spoiler alert: it’s not all […]

Creative Uses of Social Media

September 18, 2019 In: Sound Bits

Social media offers musicians a number of tools that can be used to promote our careers, build our audiences, and interact with our communities. But is there opportunity to be creative in HOW social media is used? ABSOLUTELY. Consider these three quick examples: The Big Trouble, a trio of two percussionists and a vocalist decided […]

21st Century Musicianship – “New Voices” Essay Contest

September 11, 2019 In: Sound Bits

If you are an undergraduate, graduate, or artist diploma student and have thoughts about what it means to be a 21st Century Musician, you could get some $$$ for your thoughts! Consider entering the “New Voices” Essay Contest, sponsored by 21CM and I CARE IF YOU LISTEN. Submit your 400-750 word essay by November 1 […]

Upcoming Workshop for CMA’s “Ensemble Forward” Program

September 4, 2019 In: Sound Bits

Back in July we wrote about a new grant program from Chamber Music America, “Ensemble Forward,” which will provide funding for NYC-based ensembles to work with a chamber music coach. CMA will be hosting a teleconference workshop for prospective applicants on Tuesday, September 17 at 1:00 PM ET. Space is limited; RSVP to attend. A reminder: the application deadline is 9:00 […]

Innovate. Music. Lead. Magazine Issue 5

August 28, 2019 In: 2019, Innovate. Music. Lead.

Issue 5 features an article on the trends in opera presentation by new music ensembles, an article on a revitalization effort in downtown Rochester, NY led by the creative community, and an article on youth composition workshops organized by the South Dakota Symphony.