Orchestra Management: Page 2

While there is plenty of negative press about the struggle of orchestras in the 21st century, here is a New York Times article about recent successes at the Cincinnati Symphony that is quite encouraging.

The invaluable Norman Lebrecht once again breaks a story: Musicians in the Colorado Symphony Orchestra have filed to decertify from their union, the American Federation of Musicians., from representing them in contract negotiations. The causes of dissension are obscure and both sides are staying tight-lipped, but a petition has been filed here and a vote […]

The Guardian recently published an edited version of NY Philharmonic Music Director Alan Gilbert’s 2015 Royal Philharmonic Society Lecture.  In the lecture, Gilbert describes his view of where we are today – how orchestras are doing some serious soul-searching to discover what role they will play in their communities going forward.  Orchestras are trying all […]

As I write this introduction to my Editor’s Choice for this month, at top of mind for me is the former Director of the Eastman School of Music, Robert Freeman. In 1972 he was named director of Eastman, a position he held for 24 years. He returned to Eastman this week to be formally honored […]

In “today’s arts climate,” which is often characterized by tales of diminishing audiences, revenue, and interest, why would anyone start a new orchestra? That is a question that Jennifer Melick considers in an intriguing article in the recent Symphony Magazine.  Melick spotlights eight recent orchestra startups and looks at the goals and creative ideas behind […]

The Toronto Symphony finds itself in a kerfluffle, summarized neatly in an editorial in the Toronto Star: Talk about striking the wrong note. The Toronto Symphony Orchestra is way off base with its decision to cancel performances this week by the Ukrainian-born pianist Valentina Lisitsa because of her social media comments attacking the Ukrainian government. […]

Michael Kaiser’s latest book, Curtains? The Future of the Arts in America, raises some difficult questions that arts organizations must face if they are to survive in this changing economy and culture. Mr. Kaiser, former President of the Kennedy Center and currently Chairman of the DeVos Institute of Arts Management at the University of Maryland, analyzes […]

In the fall of 2014, the Wallace Foundation published a report by market research expert Bob Harlow: The Road to Results: Effective Practices for Building Arts Audiences. The study profiles ten arts organizations that received funding from the Wallace Foundation to develop audience-building initiatives. Among the ten are the Boston Lyric Opera, Minnesota Opera, Pacific […]

Richard Levine has the distinction (along with the late Henry Shaw) of being the longest-serving editor of Senza Sordino in ICSOM’s history. His thoughts on departing from the post were contained in a long article in the August 2014 edition of the newsletter. Richard has been a friend for a long time, so I will […]

The New York Youth Symphony is concerned about exposing its members to music that was sung by Nazis: Jonas Tarm had won the kind of opportunity most young composers can only dream of: the New York Youth Symphony had commissioned a piece from him and planned to play it this Sunday at Carnegie Hall. But […]