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	<title>2024 &#8211; Institute for Music Leadership</title>
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	<link>https://iml.esm.rochester.edu</link>
	<description>Leadership with Music at the Core</description>
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	<title>2024 &#8211; Institute for Music Leadership</title>
	<link>https://iml.esm.rochester.edu</link>
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		<title>Rising Artist Foundation: Fourth River</title>
		<link>https://iml.esm.rochester.edu/pastwinner/rising-artist-foundation-fourth-river/</link>
		
		<dc:creator><![CDATA[jdunn]]></dc:creator>
		<pubDate>Sun, 01 Dec 2024 22:41:00 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=29096</guid>

					<description><![CDATA[<p>The Rising Artist Foundation elevates a broad spectrum of voices in American music. Their grant will support their project, <strong>“Fourth River,”</strong> an autumn 2025 collaboration between nonprofit The Rising Artist Foundation and established local music collective, Honcho. Named in homage to the city’s underground, essential aquifer, this program will help artists nourish and navigate their creative careers with clarity. The</p>]]></description>
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<p>The Rising Artist Foundation elevates a broad spectrum of voices in American music.  Their grant will support their project, <strong>“Fourth River,”</strong> an autumn 2025 collaboration between nonprofit The Rising Artist Foundation and established local music collective, Honcho.  Named in homage to the city’s underground, essential aquifer, this program will help artists nourish and navigate their creative careers with clarity. The program will offer financial, creative and professional support to Pittsburgh&#8217;s vibrant music community.</p>



<p></p>



<p>&nbsp;</p>
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		<title>Shin &#038; Yang Duo: Gabriela Lena Frank Piano Duo Recording</title>
		<link>https://iml.esm.rochester.edu/pastwinner/shin-yang-duo-gabriela-lena-frank-piano-duo-recording/</link>
		
		<dc:creator><![CDATA[jdunn]]></dc:creator>
		<pubDate>Sun, 01 Dec 2024 21:03:25 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=27819</guid>

					<description><![CDATA[<p>HaEun Yang and Dongwon Shin won a grant to support performing and recording piano duet and two-piano works by the living composer Gabriela Lena Frank. Known for her distinctive blend of cultural influences, Frank draws from her rich multicultural heritage, which includes Peruvian, Chinese, Lithuanian-Jewish, and American roots. Her works explore themes of identity, community, and cultural fusion. By recording and</p>]]></description>
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<p>HaEun Yang and Dongwon Shin won a grant to support performing and recording piano duet and two-piano works by the living composer Gabriela Lena Frank. Known for her distinctive blend of cultural influences, Frank draws from her rich multicultural heritage, which includes Peruvian, Chinese, Lithuanian-Jewish, and American roots. Her works explore themes of identity, community, and cultural fusion. By recording and sharing her music, the Shin &amp; Yang duo aim to enhance her visibility in the classical music world and contribute to a richer, more inclusive repertoire. This project underscores why diversity in music matters and reinforces our commitment to amplifying the voices of contemporary women composers.</p>
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		<title>Aaron Tan: L&#8217;orgue moderne Recording</title>
		<link>https://iml.esm.rochester.edu/pastwinner/aaron-tan-french-solo-organ-recording/</link>
		
		<dc:creator><![CDATA[jdunn]]></dc:creator>
		<pubDate>Sun, 01 Dec 2024 21:01:47 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=27816</guid>

					<description><![CDATA[<p>Aaron Tan&#160;won a grant to support a recording project to raise awareness of a largely forgotten collection of French solo organ music curated by Charles-Marie Widor and Alexandre Guilmant—L’orgue moderne—whose publication dates span from 1894 to 1930 and features composition by organ students of the Paris Conservatoire and other accomplished young composers of organ music. Many of these pieces are</p>]]></description>
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<p>Aaron Tan&nbsp;won a grant to support a recording project to raise awareness of a largely forgotten collection of French solo organ music curated by Charles-Marie Widor and Alexandre Guilmant—L’orgue moderne—whose publication dates span from 1894 to 1930 and features composition by organ students of the Paris Conservatoire and other accomplished young composers of organ music. Many of these pieces are of moderate difficulty, and would contribute greatly to an era of organ repertoire that has been limited to the works of a handful of major composers. The goal of this initial proposal would be to create a high-quality video and audio recording of ten pieces from this series on a historic Cavaillé-Coll organ that would have been contemporary to the compositions.</p>
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		<title>Charlotte McIntosh: My Practice Room</title>
		<link>https://iml.esm.rochester.edu/pastwinner/charlotte-mcintosh-my-practice-room/</link>
		
		<dc:creator><![CDATA[jdunn]]></dc:creator>
		<pubDate>Sun, 01 Dec 2024 21:00:31 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=27814</guid>

					<description><![CDATA[<p>My Practice Room (MPR) is a service in Toronto where musicians can purchase a monthly subscription for access to practice space at the site of a partnering host business, during the business’s closed hours. Toronto being a very dense and expensive city, it is often difficult or impossible for musicians who do not come from a strong financial background to</p>]]></description>
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<p>My Practice Room (MPR) is a service in Toronto where musicians can purchase a monthly subscription for access to practice space at the site of a partnering host business, during the business’s closed hours. Toronto being a very dense and expensive city, it is often difficult or impossible for musicians who do not come from a strong financial background to practice at home. Musicians are commonly forced to accept far-from-ideal situations, as you can read about in the additional uploads, through the testimonies of some of these musicians. MPR also creates a valuable opportunity for host businesses to make passive income by participating.</p>



<p></p>
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		<item>
		<title>Cass Lo and Daniel Davis: Expanding Percussive Canon</title>
		<link>https://iml.esm.rochester.edu/pastwinner/cass-lo-and-daniel-davis-expanding-percussive-canon/</link>
		
		<dc:creator><![CDATA[jdunn]]></dc:creator>
		<pubDate>Sun, 01 Dec 2024 20:59:30 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=27812</guid>

					<description><![CDATA[<p> As the Kou Duo, Lo and Davis have commissioned Matthew Curlee to write a piece for their duo and the Maple Quartet, prominently featuring string quartet and percussion duo. The percussion part spotlights unorthodox instruments, such as crystal glasses and wooden planks alongside more traditional percussion instruments. We aim to inspire young percussionists to collaborate more with their fellow instrumentalists</p>]]></description>
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<p> As the Kou Duo, Lo and Davis have commissioned Matthew Curlee to write a piece for their duo and the Maple Quartet, prominently featuring string quartet and percussion duo. The percussion part spotlights unorthodox instruments, such as crystal glasses and wooden planks alongside more traditional percussion instruments. We aim to inspire young percussionists to collaborate more with their fellow instrumentalists and shape how future composers view percussion. Funding will support recording the piece, and a series of community performances.</p>
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		<item>
		<title>Jack Earnhart and Jacob Factor: Correlates of brass instrument mouthpiece mass and perception</title>
		<link>https://iml.esm.rochester.edu/pastwinner/jack-earnhart-and-jacob-factor-correlates-of-brass-instrument-mouthpiece-mass-and-perception/</link>
		
		<dc:creator><![CDATA[jdunn]]></dc:creator>
		<pubDate>Sun, 01 Dec 2024 20:57:52 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=27809</guid>

					<description><![CDATA[<p>The proposed study investigates the effects of mouthpiece weight on the just noticeable differences (difference threshold) of sonic and physical attributes. The results of this research will drive novel design methodologies of mouthpiece manufacturers. This provides foundation and incentive for future iterations of study. Market analyses of manufacturers and consumers have displayed mutual interest in the outcomes of this research.</p>]]></description>
										<content:encoded><![CDATA[
<p>The proposed study investigates the effects of mouthpiece weight on the just noticeable differences (difference threshold) of sonic and physical attributes. The results of this research will drive novel design methodologies of mouthpiece manufacturers. This provides foundation and incentive for future iterations of study. Market analyses of manufacturers and consumers have displayed mutual interest in the outcomes of this research. It will afford us the opportunity to connect with professional musicians and primary grade students, supporting their health, understanding, and enjoyment. </p>



<p>&nbsp;</p>
<p>&nbsp;</p>


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		<item>
		<title>Music Teaching and Learning: Jesper Andersen</title>
		<link>https://iml.esm.rochester.edu/pastwinner/music-teaching-and-learning-jesper-andersen/</link>
		
		<dc:creator><![CDATA[jdunn]]></dc:creator>
		<pubDate>Sun, 01 Dec 2024 20:35:39 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=27782</guid>

					<description><![CDATA[<p>The Department of Music Teaching and Learning was pleased to sponsor the visit of Jesper Andersen (Royal Danish Academy of Music) and his colleague Razvan Paisa (Aalborg University, Copenhagen) from November 22-25, 2025. While at Eastman, Andersen and Paisa (a) presented their research related to cochlear implants to our Music for Special Learners course (MTL 216), (b) participated in a</p>]]></description>
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<p>The Department of Music Teaching and Learning was pleased to sponsor the visit of Jesper Andersen (Royal Danish Academy of Music) and his colleague Razvan Paisa (Aalborg University, Copenhagen) from November 22-25, 2025. While at Eastman, Andersen and Paisa (a) presented their research related to cochlear implants to our Music for Special Learners course (MTL 216), (b) participated in a research study at Eastman designed to replicate their own work related to perception of melodic contour, (c) presented on the research process to students in the Quantitate Research Course (MTL/TH 505), and (d) met with faculty who are proposing an interdisciplinary center for music and audio engineering that is similar to the work they do in Copenhagen. It was an inspirational residency and we thank IML for their departmental support.</p>
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		<title>Floris Van der Veken: 14th International Ensemble &#038; Composers Academy for Contemporary Music</title>
		<link>https://iml.esm.rochester.edu/pastwinner/floris-van-der-veken/</link>
		
		<dc:creator><![CDATA[Veronica Rokicki]]></dc:creator>
		<pubDate>Sun, 01 Dec 2024 18:26:40 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=28939</guid>

					<description><![CDATA[<p>Floris Van der Veken: 14th International Ensemble &#38; Composers Academy for Contemporary Music</p> <p><strong>Floris Van der Veken</strong>, a DMA student and Arts Leadership Certificate of Achievement candidate, was awarded a Special Opportunity Grant to attend the Impuls Festival, the 14th International Ensemble and Composers Academy for Contemporary Music. At the festival, Floris engaged in meaningful collaborations, built an international network</p>]]></description>
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<p>Floris Van der Veken: 14th International Ensemble &amp; Composers Academy for Contemporary Music</p>



<p><strong>Floris Van der Veken</strong>, a DMA student and Arts Leadership Certificate of Achievement candidate, was awarded a Special Opportunity Grant to attend the Impuls Festival, the 14th International Ensemble and Composers Academy for Contemporary Music. At the festival, Floris engaged in meaningful collaborations, built an international network of peers, and participated in in-depth discussions on contemporary music and the evolving landscape of the music industry. Reflecting on the experience, Floris highlighted the opportunity to explore career development with renowned saxophonist Marcus Weiss, delving into both the practicalities of running a contemporary music ensemble and the potential of interdisciplinary artistic collectives. The Impuls Festival offered a unique and intimate window into today’s new music scene, enabling Floris to connect with leading voices in the field, an experience made possible through the support of the Special Opportunity Grant.</p>
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		<title>Jack Earnhart &#8211; Vocational Education Program in Electrical and Mechanical Engineering</title>
		<link>https://iml.esm.rochester.edu/pastwinner/jack-earnhart/</link>
		
		<dc:creator><![CDATA[Veronica Rokicki]]></dc:creator>
		<pubDate>Sun, 01 Dec 2024 18:03:06 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=28926</guid>

					<description><![CDATA[<p>Eastman Masters student and ALP certificate candidate <strong>Jack Earnhart </strong>recently completed a vocational education program in electrical and mechanical engineering with funding awarded by the Institute for Music Leadership’s Special Opportunity Grant. This funding allowed Jack to complete a facility tour, gain valuable repair experience, and education in fundamentals of AC/DC motors at Pro Rebuilders, Inc, in Gates, New York. The program</p>]]></description>
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<p>Eastman Masters student and ALP certificate candidate <strong>Jack Earnhart </strong>recently completed a vocational education program in electrical and mechanical engineering with funding awarded by the Institute for Music Leadership’s Special Opportunity Grant. This funding allowed Jack to complete a facility tour, gain valuable repair experience, and education in fundamentals of AC/DC motors at Pro Rebuilders, Inc, in Gates, New York. The program also allowed him to get practical experience in linear motion systems design, particularly with the theory and optimization of advanced mechanical motions. Reflecting on the experience, Jack states, “Knowledge of mechanical and electrical systems optimization extends past simple repair work is enabling me to develop innovative design solutions across various industries. An element of my role as project manager at the <strong>Eastman Laboratory for Performance Science</strong> (formerly Performance Ergonomics Lab) is to future-proof design capabilities and be at the forefront of performing arts medicine treatment solutions. As technology continues to progress, knowledge of what makes electric wearable solutions possible will be essential in driving innovation and ensuring the development of cost-effective devices.” <br></p>





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		<title>Angela Rubin: DMA Recital</title>
		<link>https://iml.esm.rochester.edu/pastwinner/angela-rubin-dma-recital/</link>
		
		<dc:creator><![CDATA[jdunn]]></dc:creator>
		<pubDate>Sun, 01 Dec 2024 14:20:52 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=27602</guid>

					<description><![CDATA[<p>Doctoral candidate Angela Rubin has won the first AMP Up Grant for her degree recital on November 24, 2024. Angela won a $500 award to support her strategy to develop an audience for this performance. Angela developed a <a rel="noreferrer noopener" href="https://www.angelarubinviola.com/" target="_blank">personal website</a> to engage the audience to register for the recital, and curated a separate community-based strategy to bring more individuals</p>]]></description>
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<p>Doctoral candidate Angela Rubin has won the first AMP Up Grant for her degree recital on November 24, 2024.  Angela won a $500 award to support her strategy to develop an audience for this performance. Angela developed a <a rel="noreferrer noopener" href="https://www.angelarubinviola.com/" target="_blank">personal website</a> to engage the audience to register for the recital, and curated a separate community-based strategy to bring more individuals to campus for her performance.</p>
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