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	<title>2017 &#8211; Institute for Music Leadership</title>
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	<link>https://iml.esm.rochester.edu</link>
	<description>Leadership with Music at the Core</description>
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	<title>2017 &#8211; Institute for Music Leadership</title>
	<link>https://iml.esm.rochester.edu</link>
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	<item>
		<title>Emma Markham: Cantata Profana: Seven Sins of Love</title>
		<link>https://iml.esm.rochester.edu/pastwinner/emma-markham-cantata-profana-seven-sins-of-love/</link>
		
		<dc:creator><![CDATA[yhuang93]]></dc:creator>
		<pubDate>Fri, 01 Dec 2017 20:59:00 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=19923</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Theatrical Chamber Music Performances at National Sawdust</p>]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Theatrical Chamber Music Performances at National Sawdust</p>
]]></content:encoded>
					
		
		
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		<item>
		<title>Ricardo Zohn-Muldoon: Collaborative Performance in Gudalajara, Mexico</title>
		<link>https://iml.esm.rochester.edu/pastwinner/ricardo-zohn-muldoon-collaborative-performance-in-gudalajara-mexico/</link>
		
		<dc:creator><![CDATA[yhuang93]]></dc:creator>
		<pubDate>Fri, 01 Dec 2017 20:51:00 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=20227</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Collaboration with puppet/theater company La Coperacha</p>]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Collaboration with puppet/theater company La Coperacha</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Maria Finkelmeier: Masary Studios: Pindrop Series</title>
		<link>https://iml.esm.rochester.edu/pastwinner/maria-finkelmeier-masary-studios-pindrop-series/</link>
		
		<dc:creator><![CDATA[yhuang93]]></dc:creator>
		<pubDate>Fri, 01 Dec 2017 20:45:00 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=20224</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Concerts at Aeronaut Brewery, Somerville, MA</p>]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Concerts at Aeronaut Brewery, Somerville, MA</p>
]]></content:encoded>
					
		
		
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		<item>
		<title>Chelsea Jones: Khemia Ensemble &#8211; National Sawdust</title>
		<link>https://iml.esm.rochester.edu/pastwinner/chelsea-jones-khemia-ensemble-national-sawdust/</link>
		
		<dc:creator><![CDATA[yhuang93]]></dc:creator>
		<pubDate>Fri, 01 Dec 2017 20:38:00 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=20221</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Immersive Concert Experience at National Sawdust</p>]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Immersive Concert Experience at National Sawdust</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Jennifer Boomgaarden: South Dakota Symphony Orchestra: Lakota Music Project Music Composition Academies</title>
		<link>https://iml.esm.rochester.edu/pastwinner/jennifer-boomgaarden-south-dakota-symphony-orchestra-lakota-music-project-music-composition-academies/</link>
		
		<dc:creator><![CDATA[yhuang93]]></dc:creator>
		<pubDate>Fri, 01 Dec 2017 18:44:00 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=20722</guid>

					<description><![CDATA[<p class="wp-block-paragraph">The Lakota Music Project is the South Dakota Symphony Orchestra’s flagship Bridging Cultures Program. Created between 2005-2008, the Lakota Music Project (LMP) addresses a history of racial tension, builds bridges between whites and American Indians, and creates an environment of openness through the sharing of music. Essentially, it is a practical demonstration between white and American Indian musicians to</p>]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">The Lakota Music Project is the South Dakota Symphony Orchestra’s flagship Bridging Cultures Program. Created between 2005-2008, the Lakota Music Project (LMP) addresses a history of racial tension, builds bridges between whites and American Indians, and creates an environment of openness through the sharing of music. Essentially, it is a practical demonstration between white and American Indian musicians to advance cultural understanding.&nbsp;</p>



<p class="wp-block-paragraph">The LMP concert program features combinations of South Dakota Symphony musicians, the Creekside Singers, a Lakota drumming group, and Dakota cedar flutist Bryan Akipa, each performing music of their heritages as well as unique repertoire commissioned for the musicians to play together. To date, four works and one arrangement for Lakota artists and SDSO musicians have been commissioned for the LMP.</p>
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		<title>Ryan Ebright: New Music Theater and the New Music Ensemble</title>
		<link>https://iml.esm.rochester.edu/pastwinner/ryan-ebright-new-music-theater-and-the-new-music-ensemble/</link>
		
		<dc:creator><![CDATA[yhuang93]]></dc:creator>
		<pubDate>Fri, 01 Dec 2017 18:41:00 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=20720</guid>

					<description><![CDATA[<p>Ryan Ebright is a musicologist who specializes in American opera and contemporary music. In his research project “New Music Theater, New Music Ensembles”, he investigates the impact of chamber theater works being scored for specific ensembles, and why ensembles are undertaking these theatrical pieces. He also investigates what this means regarding the expansion of the concept of opera and music</p>]]></description>
										<content:encoded><![CDATA[
<p>Ryan Ebright is a musicologist who specializes in American opera and contemporary music. In his research project “New Music Theater, New Music Ensembles”, he investigates the impact of chamber theater works being scored for specific ensembles, and why ensembles are undertaking these theatrical pieces. He also investigates what this means regarding the expansion of the concept of opera and music theatre, and the challenges that come with it.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Ian Antonio: Yarn/Wire Currents</title>
		<link>https://iml.esm.rochester.edu/pastwinner/ian-antonio-yarn-wire-currents/</link>
		
		<dc:creator><![CDATA[yhuang93]]></dc:creator>
		<pubDate>Fri, 01 Dec 2017 18:32:00 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=20717</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Yarn/Wire Currents is an ongoing commissioning series inaugurated in 2013. Focused on the creation of new works specifically for Yarn/Wire, the series serves as an incubator for experimentation; a diverse range of American and international musicians, artists and composers explore intersections of composition, technology, installation, improvisation, live performance, music theater and more, in an effort to expand the ensemble’s performance</p>]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Yarn/Wire Currents is an ongoing commissioning series inaugurated in 2013. Focused on the creation of new works specifically for Yarn/Wire, the series serves as an incubator for experimentation; a diverse range of American and international musicians, artists and composers explore intersections of composition, technology, installation, improvisation, live performance, music theater and more, in an effort to expand the ensemble’s performance practice and reflect music’s fluidity and reach. The project has been co-presented by Issue Project Room as well as Blank Forms. Premieres are released on the ensemble’s own imprint via bandcamp, and viewable on youtube.</p>
]]></content:encoded>
					
		
		
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		<title>Natalie Farrell: Indy Classical: Hip Consumerism and the Indianapolis Symphony Orchestra/New Amsterdam Partnership</title>
		<link>https://iml.esm.rochester.edu/pastwinner/natalie-farrell-indy-classical-hip-consumerism-and-the-indianapolis-symphony-orchestra-new-amsterdam-partnership/</link>
		
		<dc:creator><![CDATA[yhuang93]]></dc:creator>
		<pubDate>Fri, 01 Dec 2017 17:07:00 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=20712</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Research project on hip consumerism and Indy Symphony/New Amsterdam Partnership</p>]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Research project on hip consumerism and Indy Symphony/New Amsterdam Partnership</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Peter Ferry: ON&#124;OFF Installation</title>
		<link>https://iml.esm.rochester.edu/pastwinner/peter-ferry-onoff-installation/</link>
		
		<dc:creator><![CDATA[yhuang93]]></dc:creator>
		<pubDate>Mon, 01 May 2017 18:15:00 +0000</pubDate>
				<guid isPermaLink="false">https://iml.esm.rochester.edu/?post_type=pastwinner&#038;p=20726</guid>

					<description><![CDATA[<p class="wp-block-paragraph">An installation/performance using homemade audience-held synthesizers, in partnership with composer Danny Clay, designer Simon Pyle and artist Xuan. </p> <p class="wp-block-paragraph">As a solo percussion work: Ferry performs <em>ON&#124;OFF</em> on solo vibraphone with a handful of audience members slowly changing their instruments&#8217; volume knob on a pre-tuned chord.   </p> <p class="wp-block-paragraph">As a site-specific installation: <em>ON&#124;OFF</em> highlights the interactions between spaced-out synthesizers that change with an audience member&#8217;s movement.</p> <p]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">An installation/performance using homemade audience-held synthesizers, in partnership with composer Danny Clay, designer Simon Pyle and artist Xuan. </p>



<p class="wp-block-paragraph">As a solo percussion work: Ferry performs <em>ON|OFF</em> on solo vibraphone with a handful of audience members slowly changing their instruments&#8217; volume knob on a pre-tuned chord.   </p>



<p class="wp-block-paragraph">As a site-specific installation: <em>ON|OFF</em> highlights the interactions between spaced-out synthesizers that change with an audience member&#8217;s movement.</p>



<p class="wp-block-paragraph">As a fully interactive performance art piece, <em>ON|OFF </em>relies on the audience&#8217;s actions with the synthesizers in interaction with projected prompts for the work to organically unfold.</p>
]]></content:encoded>
					
		
		
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