About this event:
In classical music, how much of the onus for change should be placed on the music itself? Audre Lorde famously wrote that “The master’s tools will never dismantle the master’s house.” So how do those committed to doing the work of curating a more inclusive canon grapple with working to disrupt a system from within? How must the definition of classical music change to become more inclusive, and what might that mean for the industry? Join us as Joel Thompson (composer) and Garret McQueen (Trilloquy) explore making and spreading art that advocates for change.
Event expired - sign up/registration no longer available.