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	<title>IML News &#8211; Institute for Music Leadership</title>
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	<title>IML News &#8211; Institute for Music Leadership</title>
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	<item>
		<title>Eastman Named a Top Music Business School Worldwide</title>
		<link>https://www.esm.rochester.edu/esm_news/eastman-named-a-top-music-business-school-worldwide-by-billboard/#new_tab</link>
		
		<dc:creator><![CDATA[jdunn]]></dc:creator>
		<pubDate>Wed, 07 Oct 2026 14:26:43 +0000</pubDate>
				<category><![CDATA[IML News]]></category>
		<guid isPermaLink="false">https://iml.esm.rochester.edu/?p=67002</guid>

					<description><![CDATA[Billboard recognizes Eastman's Institute for Music Leadership programs for the fourth year in a row.]]></description>
										<content:encoded><![CDATA[Billboard recognizes Eastman's Institute for Music Leadership programs for the fourth year in a row.]]></content:encoded>
					
		
		
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		<title>Congratulations to the 2026 Catherine Filene Shouse Arts Leadership Certificate Of Achievement Fellows! </title>
		<link>https://iml.esm.rochester.edu/congratulations-to-the-2026-catherine-filene-shouse-arts-leadership-certificate-of-achievement-fellows/</link>
		
		<dc:creator><![CDATA[jdunn]]></dc:creator>
		<pubDate>Thu, 01 Oct 2026 13:45:43 +0000</pubDate>
				<category><![CDATA[IML News]]></category>
		<guid isPermaLink="false">https://iml.esm.rochester.edu/?p=65672</guid>

					<description><![CDATA[Congratulations to the new cohort of Catherine Filene Shouse Arts Leadership Certificate of Achievement Fellows!]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Congratulations to the new cohort of Catherine Filene Shouse Arts Leadership Certificate of Achievement Fellows:</p>



<ul class="wp-block-list">
<li>Nicholas Culver – DMA, Horn Performance and Literature</li>



<li>Harrison Candelario – BM, Jazz Voice</li>



<li>Molly Chun – MM, Voice Performance and Literature</li>



<li>Emmaline Colvin – BM, Voice</li>



<li>Mia Gensure – BM, Viola</li>



<li>Zoe Gutierrez – BM, Double Bass</li>



<li>Kai Harrington – BM, Voice</li>



<li>Ellen Kim – MM, Violin Performance and Literature</li>



<li>Kaitlyn Lien&nbsp;– BM and BA, Violin and Audio Arts and Technology</li>



<li>Cole Moorhead – MM, Saxophone Performance and Literature</li>



<li>Kristene Murrow – MM, Violin Performance and Literature</li>



<li>Natalia Noriega – BM, Trumpet</li>



<li>Alison Pollock – BM, Basson</li>



<li>Daniel Reeder – BM, Harp</li>



<li>Brooke Walden – DMA, Flute Performance and Literature</li>



<li>Cristian Yohannes – BM, Viola</li>



<li>Zhilin Zhang – PhD, Music Education</li>
</ul>



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<figure class="wp-block-image size-full"><img fetchpriority="high" decoding="async" width="1365" height="2048" src="https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Nati-Noriega-1.jpg" alt="" class="wp-image-65792" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Nati-Noriega-1.jpg 1365w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Nati-Noriega-1-200x300.jpg 200w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Nati-Noriega-1-683x1024.jpg 683w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Nati-Noriega-1-768x1152.jpg 768w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Nati-Noriega-1-1024x1536.jpg 1024w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Nati-Noriega-1-67x100.jpg 67w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Nati-Noriega-1-100x150.jpg 100w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Nati-Noriega-1-133x200.jpg 133w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Nati-Noriega-1-167x250.jpg 167w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Nati-Noriega-1-80x120.jpg 80w" sizes="(max-width: 1365px) 100vw, 1365px" /></figure>
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<figure class="wp-block-image size-full"><img decoding="async" width="1696" height="2560" src="https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Cristian-Yohannes-scaled.jpg" alt="" class="wp-image-65762" style="aspect-ratio:0.6668113739960929" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Cristian-Yohannes-scaled.jpg 1696w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Cristian-Yohannes-199x300.jpg 199w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Cristian-Yohannes-678x1024.jpg 678w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Cristian-Yohannes-768x1160.jpg 768w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Cristian-Yohannes-1017x1536.jpg 1017w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Cristian-Yohannes-1356x2048.jpg 1356w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Cristian-Yohannes-66x100.jpg 66w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Cristian-Yohannes-99x150.jpg 99w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Cristian-Yohannes-132x200.jpg 132w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Cristian-Yohannes-166x250.jpg 166w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Cristian-Yohannes-79x120.jpg 79w" sizes="(max-width: 1696px) 100vw, 1696px" /></figure>
</div>



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<figure class="wp-block-image size-full"><img decoding="async" width="1365" height="2048" src="https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Harrington_Kai_Headshot.jpg" alt="" class="wp-image-65772" style="aspect-ratio:0.6665039459767309" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Harrington_Kai_Headshot.jpg 1365w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Harrington_Kai_Headshot-200x300.jpg 200w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Harrington_Kai_Headshot-683x1024.jpg 683w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Harrington_Kai_Headshot-768x1152.jpg 768w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Harrington_Kai_Headshot-1024x1536.jpg 1024w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Harrington_Kai_Headshot-67x100.jpg 67w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Harrington_Kai_Headshot-100x150.jpg 100w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Harrington_Kai_Headshot-133x200.jpg 133w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Harrington_Kai_Headshot-167x250.jpg 167w, https://iml.esm.rochester.edu/wp-content/uploads/2026/09/Harrington_Kai_Headshot-80x120.jpg 80w" sizes="(max-width: 1365px) 100vw, 1365px" /></figure>
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<p class="has-text-align-center wp-block-paragraph"><em>2026 Catherine Filene Shouse Arts Leadership Certificate Fellows Nati Noriega, Cristian Yohannes, and Kai<br>Harrington</em></p>



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<p class="wp-block-paragraph">The <a href="https://iml.esm.rochester.edu/alp-certificate/">Catherine Filene Shouse Arts Leadership Certificate of Achievement </a>(ALP) is an experiential program designed to complement students’ primary area of study and provide professional development training to support student’s career goals. Students personalize their experience through course selection, internship choices, and advising by industry professionals. Those in the program gain knowledge of the music industry and the skills to become a leader in the field. The Institute for Music Leadership creates career and leadership development opportunities for musicians on and off the stage.</p>


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		<item>
		<title>Eastman Students and Alumni Develop Research and Leadership Through Opportunity Grants</title>
		<link>https://iml.esm.rochester.edu/eastman-students-and-alumni-develop-research-and-leadership-through-opportunity-grants/</link>
		
		<dc:creator><![CDATA[cbabcoc8]]></dc:creator>
		<pubDate>Fri, 28 Aug 2026 15:44:48 +0000</pubDate>
				<category><![CDATA[IML News]]></category>
		<guid isPermaLink="false">https://iml.esm.rochester.edu/?p=52412</guid>

					<description><![CDATA[Congratulations to Summer Opportunity Grant Winners!]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">&nbsp;&nbsp;&nbsp;&nbsp; The Catherine Filene Shouse Arts Leadership Certificate of Achievement is an experiential program designed to complement a student&#8217;s primary area of study and provide professional development training to support students&#8217; career goals. Part of the resources reserved for ALP students and recent alumni is the Special Opportunity Grant, which provides funding for professional development up to $1500. This summer, 14 students and alumni received Opportunity Grants to grow musical cultural understanding, attend national and international conferences, and shadow music festivals and youth programs.</p>



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<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" width="1024" height="768" src="https://iml.esm.rochester.edu/wp-content/uploads/2026/07/ALP-Special-Opportunity-Grant-3-scaled-e1783448424763-1024x768.jpg" alt="" class="wp-image-52632" style="width:537px;height:auto" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2026/07/ALP-Special-Opportunity-Grant-3-scaled-e1783448424763-1024x768.jpg 1024w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/ALP-Special-Opportunity-Grant-3-scaled-e1783448424763-300x225.jpg 300w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/ALP-Special-Opportunity-Grant-3-scaled-e1783448424763-768x576.jpg 768w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/ALP-Special-Opportunity-Grant-3-scaled-e1783448424763-1536x1152.jpg 1536w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/ALP-Special-Opportunity-Grant-3-scaled-e1783448424763-2048x1536.jpg 2048w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/ALP-Special-Opportunity-Grant-3-scaled-e1783448424763-100x75.jpg 100w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/ALP-Special-Opportunity-Grant-3-scaled-e1783448424763-150x113.jpg 150w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/ALP-Special-Opportunity-Grant-3-scaled-e1783448424763-200x150.jpg 200w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/ALP-Special-Opportunity-Grant-3-scaled-e1783448424763-250x188.jpg 250w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/ALP-Special-Opportunity-Grant-3-scaled-e1783448424763-120x90.jpg 120w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Joy Hsieh (left) and Victoria Paterson &#8217;93E (right) at the Mostly Modern Festival.</figcaption></figure>
</div>



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<p class="wp-block-paragraph">This June, <strong>Joy Hsieh (DMA Viola Performance and Literature) </strong>had the opportunity to shadow <strong>Victoria Paterson &#8217;93</strong>, founder and director of the Mostly Modern Festival, during the festival&#8217;s seventh season. The festival was one of the first of its kind exclusively dedicated to the coaching and performance of works by living composers and 20/21st century repertoire. While there, Hsieh observed all the production and administrative gears that keep a festival turning. She attended production meetings with Paterson, and observed the director&#8217;s responsibility for the logistic, marketing, venue, and hospitality teams&#8217; communication.</p>



<p>What particularly impressed Hsieh was how arts administration balances immediate needs with long term planning. &#8220;Discussions often focused not only on the current season but also future programming and organizational goals [for next season].&#8221; By having a bird&#8217;s eye view of festival operation, the experience has helped guide Hsieh into her specific career interests in arts administration. &#8220;Being able to learn directly from the festival&#8217;s leadership gave me an opportunity I couldn&#8217;t have gained anywhere else. Observing the decisions made behind the scenes deepened my appreciation for the people who make the artistic experiences possible and broadened my awareness of the wide range of career paths within the arts. This experience expanded my perspective on the impact that thoughtful leadership, collaboration, and adaptability can have on the success of an organization.&#8221;&nbsp;</p>
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<figure class="wp-block-image alignleft size-large is-resized"><img loading="lazy" decoding="async" width="708" height="1024" src="https://iml.esm.rochester.edu/wp-content/uploads/2026/07/timbre-conference-pic-scaled-e1783449136758-708x1024.jpeg" alt="" class="wp-image-52662" style="aspect-ratio:0.6914145323595733;width:429px;height:auto" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2026/07/timbre-conference-pic-scaled-e1783449136758-708x1024.jpeg 708w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/timbre-conference-pic-scaled-e1783449136758-207x300.jpeg 207w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/timbre-conference-pic-scaled-e1783449136758-768x1111.jpeg 768w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/timbre-conference-pic-scaled-e1783449136758-1062x1536.jpeg 1062w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/timbre-conference-pic-scaled-e1783449136758-1416x2048.jpeg 1416w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/timbre-conference-pic-scaled-e1783449136758-69x100.jpeg 69w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/timbre-conference-pic-scaled-e1783449136758-104x150.jpeg 104w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/timbre-conference-pic-scaled-e1783449136758-138x200.jpeg 138w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/timbre-conference-pic-scaled-e1783449136758-173x250.jpeg 173w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/timbre-conference-pic-scaled-e1783449136758-83x120.jpeg 83w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/timbre-conference-pic-scaled-e1783449136758.jpeg 1463w" sizes="auto, (max-width: 708px) 100vw, 708px" /><figcaption class="wp-element-caption">Ash Mach at the University of Montreal for the 2026 Timbre Conference</figcaption></figure>
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<p class="wp-block-paragraph"><strong>Ash Mach (PhD Music Theory) </strong>recently returned from The 4th International Conference on Timbre, where they presented a poster of their research titled &#8220;The Contours of Timbre in Rebecca Saunder&#8217;s <em>Fury II</em>.&#8221; Unlike speaker presentations, posters allow the researcher to engage in face-to-face dialogue with peers about their work. This feedback proved invaluable to Mach as they were able to incorporate more interdisciplinary ideas for their next presentation in November, this time as a speaker at the Society for Music Theory&#8217;s annual meeting. “My time at the International Conference on Timbre inspired me to listen to, observe, and analyze sound from a whole host of new perspectives. I feel much more prepared for my dissertation research as I have even more methodological ideas to play with.”</p>



<p class="wp-block-paragraph">However, what struck Mach the most in their visit was how much research on timbre has changed even in the last three years. The field that used to be dominated by acoustics and computational methods has seen a great increase in philosophical and cultural contribution, such as decolonizing the use of Western analysis for non-Western music. &#8220;Based on this conference, I’ve now realized that it’s not so much a matter of choosing the best spectrogram parameters or calculating the appropriate audio descriptors&#8230; but rather asking how sound through composers’ artistic decisions contributed to nationalistic sentiments. In other words, how did timbre impact society?&#8221; Mach&#8217;s work is a continuation of their research in post-tonal theory seminar at Eastman. They hope to publish this work before their graduation. </p>
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<figure class="wp-block-image alignleft size-full is-resized"><img loading="lazy" decoding="async" width="320" height="240" src="https://iml.esm.rochester.edu/wp-content/uploads/2026/07/IMG_6732-Small.png" alt="" class="wp-image-53292" style="aspect-ratio:1.4000301038583112;width:586px;height:auto" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2026/07/IMG_6732-Small.png 320w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/IMG_6732-Small-300x225.png 300w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/IMG_6732-Small-100x75.png 100w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/IMG_6732-Small-150x113.png 150w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/IMG_6732-Small-200x150.png 200w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/IMG_6732-Small-250x188.png 250w, https://iml.esm.rochester.edu/wp-content/uploads/2026/07/IMG_6732-Small-120x90.png 120w" sizes="auto, (max-width: 320px) 100vw, 320px" /><figcaption class="wp-element-caption">Zachary Costello (center) with audience members of his recital &#8220;Echoes of the Peninsula.&#8221;</figcaption></figure>
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<p class="wp-block-paragraph">     As a recent graduate, <strong>Zachary Costello &#8217;26E (MM Saxophone Performance and Literature) </strong>presented his saxophone recital &#8220;Echoes of the Peninsula&#8221; in Seoul, South Korea. The project focused on newly commissioned works by Korean and Korean adoptee composers, with a blend of classical and contemporary saxophone techniques and traditional Korean music Sanjo. Both saxophonists and and traditional Korean musicians were in attendance and worked with Costello on musical style. &#8220;Presenting this music in Korea revealed the difference between studying a tradition and experiencing it within the deep culture that shaped it,&#8221; Costello says. &#8220;The feedback I received deepened my appreciation for the ways Korean history, storytelling, and musical aesthetics can inform performance, and it will continue to influence my work as a performer and advocate for this repertoire.&#8221;</p>



<p>A Korean adoptee himself, this project had a personal connection to Costello, and allowed him to find audiences that related to his identity. &#8220;Thoughtful outreach ensures the work exists in dialogue with the communities it is connected to. Together, these expenses supported a structured professional exchange rather than a standard recital presentation. They make it possible for this project to function as a site of feedback, learning, and cultural engagement.&#8221;</p>
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<p class="wp-block-paragraph"><em>Interested in becoming a <a href="https://iml.esm.rochester.edu/alp-certificate/">Catherine Filene Shouse Arts Leadership Certificate of Achievement Candidate</a>? Applications are open until September 20th, 2026. Apply Now!</em></p>



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		<title>Congratulations to the recipients of a Paul R. Judy Center for Research and Innovation Grant!</title>
		<link>https://iml.esm.rochester.edu/congratulations-to-the-recipients-of-a-paul-r-judy-center-for-research-and-innovation-grant/</link>
		
		<dc:creator><![CDATA[jdunn]]></dc:creator>
		<pubDate>Thu, 28 Mar 2024 13:12:12 +0000</pubDate>
				<category><![CDATA[IML News]]></category>
		<guid isPermaLink="false">https://iml.esm.rochester.edu/?p=24469</guid>

					<description><![CDATA[Congratulations to two winners on receiving a Paul R. Judy Center for Innovation and Research Grant for the Spring 2024 cycle: District5 and Hilary Glen.]]></description>
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<p class="wp-block-paragraph">Congratulations to two winners on receiving a Paul R. Judy Center for Innovation and Research Grant for the Spring 2024 cycle:</p>



<p class="wp-block-paragraph"><strong>District5</strong> won a $5,000 grant to support “The QUEEN-tet Project: a Symphonic Drag Story Hour.&#8221;   District5 is a DC-based wind quintet unafraid to program the seemingly impossible. For over a decade, they have challenged and rewarded audiences with their distinct blend of powerful music, engaging storytelling, and commitment to under-represented composers.</p>



<p class="wp-block-paragraph">“The QUEEN-tet Project: a Symphonic Drag Story Hour” is a collaboration between Tara Hoot, an award-winning DC-based drag queen, and District5, a wind quintet committed to promoting new works. Our story hour creates a novel exploration into unconventional storytelling through the melding of drag and classical music. The show includes readings of banned books and centers around the commission of a work for wind quintet + drag queen by composer Christen Taylor Holmes depicting Hoot’s life advice from a drag queen&#8217;s perspective. The project is timely and cultural awareness is urgently needed; Hoot received bomb threats in response to her work promoting family story hours and banned books in the past. Our commission results in a new genre, wind quintet + drag queen, and creates a sustainable opportunity for quintets and queens to perform together and promote LGBTQIA+ voices. </p>



<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" src="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/HGlenHeadshot2-1024x684.jpg" alt="Hilary Glen" class="wp-image-24785" width="512" height="342" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/HGlenHeadshot2-1024x684.jpg 1024w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/HGlenHeadshot2-300x200.jpg 300w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/HGlenHeadshot2-768x513.jpg 768w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/HGlenHeadshot2-1536x1025.jpg 1536w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/HGlenHeadshot2-2048x1367.jpg 2048w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/HGlenHeadshot2-100x67.jpg 100w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/HGlenHeadshot2-150x100.jpg 150w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/HGlenHeadshot2-200x134.jpg 200w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/HGlenHeadshot2-250x167.jpg 250w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/HGlenHeadshot2-120x80.jpg 120w" sizes="auto, (max-width: 512px) 100vw, 512px" /><figcaption>Hilary Glen &#8217;10E (MM) &#8217;15E (DMA)</figcaption></figure>
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<figure class="wp-block-image size-large is-resized"><img loading="lazy" decoding="async" src="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Dsitrict-5-1024x683.jpg" alt="" class="wp-image-24470" width="512" height="342" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Dsitrict-5-1024x683.jpg 1024w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Dsitrict-5-300x200.jpg 300w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Dsitrict-5-768x512.jpg 768w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Dsitrict-5-1536x1024.jpg 1536w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Dsitrict-5-2048x1365.jpg 2048w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Dsitrict-5-100x67.jpg 100w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Dsitrict-5-150x100.jpg 150w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Dsitrict-5-200x133.jpg 200w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Dsitrict-5-250x167.jpg 250w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Dsitrict-5-120x80.jpg 120w" sizes="auto, (max-width: 512px) 100vw, 512px" /><figcaption>District5</figcaption></figure>



<p class="wp-block-paragraph"><strong>Hilary Glen</strong> and a group of cellist educators won a $5,000 grant to support Resonance:  A Multicultural Cello method.  These method books will offer a sequential approach to learning the cello from beginner to advanced levels using primarily Latin, African, Asian, Native American, and Middle Eastern music. The final product will include cello parts, piano accompaniments, ensemble parts, piece descriptions, audio and video recordings, and an interactive website. Most standard cello method books in the United States feature repertoire from a specific demographic: Western European and/or male. This approach presents issues: it excludes musical styles and elements from other cultures; it does not teach music representative of the diverse cultures in the United States; and it implies that students can learn to play the cello only through exclusive music. With our method, learning to play the cello and learning about classical music becomes more relevant, and a way for students to more fully express themselves. It will be seen as an avenue for creating belonging.</p>



<p class="wp-block-paragraph">The next deadline to apply will be in the Fall of 2024, around October 1.  <strong>The Fall 2024&nbsp;grant cycle&nbsp;will be open to all US based individuals and organizations.</strong>  <a rel="noreferrer noopener" href="https://iml.esm.rochester.edu/apply-for-funding/grants-and-funding/prjc-grant-program-application/" target="_blank">Learn more here</a> and check back in August for up to date information.</p>



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<div class="wp-block-button aligncenter"><a class="wp-block-button__link" href="https://iml.esm.rochester.edu/apply-for-funding/grants-and-funding/prjc-grant-program-application/" target="_blank" rel="noreferrer noopener">More about the PRJC Grant</a></div>
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		<title>Congratulations to the Spring 2024 IML Mentorship Grant Winners!</title>
		<link>https://iml.esm.rochester.edu/congratulations-to-the-spring-2024-iml-mentorship-grant-winners/</link>
		
		<dc:creator><![CDATA[jdunn]]></dc:creator>
		<pubDate>Tue, 19 Mar 2024 15:18:24 +0000</pubDate>
				<category><![CDATA[IML News]]></category>
		<guid isPermaLink="false">https://iml.esm.rochester.edu/?p=24474</guid>

					<description><![CDATA[Congratulations to the seven winners of the Spring 2024 IML Mentorship Grant!  <a href="https://iml.esm.rochester.edu/congratulations-to-the-spring-2024-iml-mentorship-grant-winners">Learn more here.</a>]]></description>
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<p class="wp-block-paragraph">Congratulations to the seven winners of the Spring 2024 IML Mentorship grant from the IML!</p>



<p class="wp-block-paragraph"><strong>Brandon Berlanga</strong> won a grant for his team at Blacktop Percussion for &#8220;The SCINTILLATIONS Recording Project.&#8221;  The ensemble will record SCINTILLATIONS by Sebastian Zhang, an advanced 10-15 minute percussion quartet inspired by hip-hop and rock music, commissioned by Blacktop Percussion.  The SCINTILLATIONS Recording Project is meant to play a large role in the Blacktop Percussion&#8217;s newest initiative: The Scintillations Project. The Scintillations Project is a mission to promote inclusivity within the music community by working with composers of diverse racial, gender, and LGBTQIA+ backgrounds to create exciting music that will serve as a vehicle for our message. </p>
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<figure class="wp-block-image aligncenter size-medium"><img loading="lazy" decoding="async" width="300" height="300" src="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Blacktop-Percusssion-1-300x300.jpg" alt="Blacktop Percussion" class="wp-image-24477" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Blacktop-Percusssion-1-300x300.jpg 300w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Blacktop-Percusssion-1-1024x1024.jpg 1024w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Blacktop-Percusssion-1-150x150.jpg 150w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Blacktop-Percusssion-1-768x768.jpg 768w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Blacktop-Percusssion-1-60x60.jpg 60w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Blacktop-Percusssion-1-100x100.jpg 100w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Blacktop-Percusssion-1-200x200.jpg 200w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Blacktop-Percusssion-1-250x250.jpg 250w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Blacktop-Percusssion-1-120x120.jpg 120w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Blacktop-Percusssion-1.jpg 1080w" sizes="auto, (max-width: 300px) 100vw, 300px" /><figcaption>Blacktop Percussion: Brandon Berlanga, Michael Lee-Smith, John Dawson, Remington Thomas</figcaption></figure>
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<figure class="wp-block-image aligncenter size-medium"><img loading="lazy" decoding="async" width="240" height="300" src="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/JJB_HeadShot2_8x10_color-1-240x300.jpg" alt="" class="wp-image-24510" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/JJB_HeadShot2_8x10_color-1-240x300.jpg 240w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/JJB_HeadShot2_8x10_color-1-819x1024.jpg 819w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/JJB_HeadShot2_8x10_color-1-768x960.jpg 768w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/JJB_HeadShot2_8x10_color-1-1229x1536.jpg 1229w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/JJB_HeadShot2_8x10_color-1-1639x2048.jpg 1639w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/JJB_HeadShot2_8x10_color-1-80x100.jpg 80w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/JJB_HeadShot2_8x10_color-1-120x150.jpg 120w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/JJB_HeadShot2_8x10_color-1-160x200.jpg 160w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/JJB_HeadShot2_8x10_color-1-200x250.jpg 200w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/JJB_HeadShot2_8x10_color-1-96x120.jpg 96w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/JJB_HeadShot2_8x10_color-1-scaled.jpg 2048w" sizes="auto, (max-width: 240px) 100vw, 240px" /><figcaption>Josh Budziak</figcaption></figure>
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<p class="wp-block-paragraph">Tubist <strong>Josh Budziak</strong> won a grant to support research on brass mouthpieces along with Masters student Jack Earnhart.  Musicians and manufacturers claim that acoustic and sensory percepts are direct results of mouthpiece geometry. These claims are often anecdotal, and lack support from objective or controlled testing. This research is a quantitative study that examines relationships of mouthpiece mass and spectral components, and will evaluate if observed spectra are the result of the player&#8217;s perception and bias of the impact of mouthpiece mass on timbre. </p>



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<p class="wp-block-paragraph"><strong>Sammy DeAngelis</strong> won a grant for his ensemble, 3D Percussion and their project &#8220;Refract.&#8221; 3D Percussion is curating an immersive concert program to create an experience with new music and supplemental technology.  This concert will be headlined alongside Pax duo, who is a new percussion duo from the midwest. Through this collaboration we are presenting new works for duo and trio in the percussion repertoire to new audiences. 3D Percussion will be premiering a new piece by composer Matt Curlee for percussion trio and tape which will be the one of the first of its kind.  3D Percussion will present Refract at Constellation in Chicago in June.</p>



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<figure class="wp-block-image aligncenter size-medium"><img loading="lazy" decoding="async" width="300" height="200" src="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/3D-Percussion-1-300x200.jpg" alt="" class="wp-image-24479" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/3D-Percussion-1-300x200.jpg 300w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/3D-Percussion-1-1024x683.jpg 1024w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/3D-Percussion-1-768x512.jpg 768w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/3D-Percussion-1-1536x1024.jpg 1536w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/3D-Percussion-1-100x67.jpg 100w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/3D-Percussion-1-150x100.jpg 150w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/3D-Percussion-1-200x133.jpg 200w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/3D-Percussion-1-250x167.jpg 250w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/3D-Percussion-1-120x80.jpg 120w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/3D-Percussion-1.jpg 2048w" sizes="auto, (max-width: 300px) 100vw, 300px" /><figcaption>3D Percussion: Emma Gierszal, YoungKyoung Lee, and Sammy DeAngelis</figcaption></figure>
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<figure class="wp-block-image aligncenter size-medium"><img loading="lazy" decoding="async" width="225" height="300" src="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Haik-D-Headshot-225x300.jpeg" alt="" class="wp-image-24481" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Haik-D-Headshot-225x300.jpeg 225w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Haik-D-Headshot-768x1024.jpeg 768w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Haik-D-Headshot-1152x1536.jpeg 1152w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Haik-D-Headshot-1536x2048.jpeg 1536w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Haik-D-Headshot-75x100.jpeg 75w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Haik-D-Headshot-113x150.jpeg 113w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Haik-D-Headshot-150x200.jpeg 150w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Haik-D-Headshot-188x250.jpeg 188w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Haik-D-Headshot-90x120.jpeg 90w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Haik-D-Headshot-scaled.jpeg 1920w" sizes="auto, (max-width: 225px) 100vw, 225px" /><figcaption>Haik Demirchian</figcaption></figure>



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<p class="wp-block-paragraph">Jazz trombonist <strong>Haik Demirchian</strong> won a grant to support his album &#8220;Call to the Ancestors.&#8221; This album is an accumulation of Haik&#8217;s musical discoveries in his homeland of Armenia as well as the recently lost land of my ancestors, Artsakh. During the Armenian genocide in which over 1.5 million Armenians were killed, much of the archival work that was done to preserve Armenian music was burned. This work is still not safely preserved due to the continuing genocide of Armenians that is brewing today.  Haik&#8217;s goal is to preserve Armenian folk music by arranging and recording music discovered during his time at Eastman and possibly Haik&#8217;s last journey to what remains of his homeland.</p>
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<p class="wp-block-paragraph">Musicologist and pianist <strong>Hannah Harnest</strong> won a grant to support &#8220;A Yom HaShoah Remembrance Concert: Celebrating Jewish Culture through Classical Liturgical Music and Yiddish Art Song.&#8221;  Yom HaShoah is observed this year on May 6 as the Jewish day of commemoration for the Holocaust. In a unique fusion of faith and peoplehood, synagogues hold memorial services on this day that integrate traditional prayers with contemporary poetry and song. Throughout the 20th and 21st centuries, Jewish congregations in America have been actively involved in creating new settings, and the Shoah has been a recurring theme for composers and lyricists. This lecture recital will showcase compositions by Cantor Samuel Rosenbaum from Temple Beth El in Rochester, who was a prominent figure in the American Cantorate. It will also include a world premiere by Eastman alumnus Michael Isaacson, Eastman professor emeritus Samuel Adler, and Lazar Weiner (1897-1982). The recital will feature Eastman students, local artists, and Argentinian Guest Cantor Jonathan Kohan from Beth El.</p>
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<figure class="wp-block-image aligncenter size-medium"><img loading="lazy" decoding="async" width="204" height="300" src="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/IMG_2719-1-204x300.jpg" alt="" class="wp-image-24482" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/IMG_2719-1-204x300.jpg 204w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/IMG_2719-1-68x100.jpg 68w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/IMG_2719-1-102x150.jpg 102w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/IMG_2719-1-136x200.jpg 136w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/IMG_2719-1-170x250.jpg 170w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/IMG_2719-1-82x120.jpg 82w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/IMG_2719-1.jpg 654w" sizes="auto, (max-width: 204px) 100vw, 204px" /><figcaption>Hannah Harnest</figcaption></figure>



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<figure class="wp-block-image aligncenter size-medium"><img loading="lazy" decoding="async" width="300" height="300" src="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/FB_IMG_1708139241045-1-300x300.jpg" alt="" class="wp-image-24483" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/FB_IMG_1708139241045-1-300x300.jpg 300w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/FB_IMG_1708139241045-1-150x150.jpg 150w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/FB_IMG_1708139241045-1-768x768.jpg 768w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/FB_IMG_1708139241045-1-100x100.jpg 100w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/FB_IMG_1708139241045-1-200x200.jpg 200w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/FB_IMG_1708139241045-1-250x250.jpg 250w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/FB_IMG_1708139241045-1-120x120.jpg 120w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/FB_IMG_1708139241045-1.jpg 960w" sizes="auto, (max-width: 300px) 100vw, 300px" /><figcaption>Cori Trenczer</figcaption></figure>



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<p class="wp-block-paragraph"><strong>Cori Trenczer </strong>won a grant to support &#8220;Smorgasbord for your Fingerboard: A Sequential Collection of Pieces for Solo Cello Volume 1: Songs for the Beginning Cellist.&#8221; Cori will be researching and developing a cello book with pieces in level-order for beginners. The composers in the book will be primarily made up of pieces written by female, non-binary, LGBTQIA+, BIPOC, and AAPI composers. Cori notes, &#8220;I have an online teaching studio of 14 cello students, many of whom are included in the groups above. Both my students and their parents have submitted requests for pieces we could learn in lessons. I have found it very hard to find arrangements of these pieces for solo cello. The book would help students have the chance to see pieces by composers who look like them.&#8221;</p>
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<p class="has-text-align-left wp-block-paragraph">Educator and pianist Chaojun Yang has won a grant to develop comprehensive online music education content for both Chinese and English-speaking audiences. As a passionate piano teacher, Yang has observed challenges in advanced piano studies stemming from foundational misconceptions, leading to inefficiency and discouragement. The high cost of quality piano education in both China and the U.S. has led to inconsistent foundational music education.  While online music educational content has becoming an increasingly powerful tool for music learning, its fragmented nature often requires payment for full access. This is unlike subjects like math, where online educational resources often exist in a more systematic and accessible manner. This project aims to create professional, systematic, free, and high-quality educational content, extending Yang’s commitment to inclusivity in music education. Her experiences leading a teaching studio establishing special teaching projects and scholarship for disabled students, children of migrant workers, and leading numerous female retirees for successful music career post retirement has reinforced her commitment to diversity and accessibility in music education. This project will align with her ongoing dedication for music accessibility and inclusion.</p>



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<figure class="wp-block-image aligncenter size-medium"><img loading="lazy" decoding="async" width="300" height="200" src="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Chaojun-Yang-300x200.jpg" alt="" class="wp-image-24475" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Chaojun-Yang-300x200.jpg 300w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Chaojun-Yang-1024x683.jpg 1024w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Chaojun-Yang-768x512.jpg 768w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Chaojun-Yang-1536x1024.jpg 1536w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Chaojun-Yang-2048x1366.jpg 2048w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Chaojun-Yang-100x67.jpg 100w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Chaojun-Yang-150x100.jpg 150w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Chaojun-Yang-200x133.jpg 200w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Chaojun-Yang-250x167.jpg 250w, https://iml.esm.rochester.edu/wp-content/uploads/2024/03/Chaojun-Yang-120x80.jpg 120w" sizes="auto, (max-width: 300px) 100vw, 300px" /><figcaption>Chaojun Yang</figcaption></figure>



<p class="wp-block-paragraph">The IML Mentorship grant supports independent creative projects led by matriculated Eastman students beyond the scope of their degree.  The next deadline to apply is October 1, 2024.  <a href="https://iml.esm.rochester.edu/iml-grant-and-mentorship-application/" data-type="page" data-id="14923">Learn more here.</a></p>
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		<title>Several Eastman Programs recognized as top in the Nation!</title>
		<link>https://iml.esm.rochester.edu/several-eastman-programs-recognized-as-top-in-the-nation/</link>
		
		<dc:creator><![CDATA[Kristijan Bogdanovski]]></dc:creator>
		<pubDate>Thu, 02 Nov 2023 15:12:22 +0000</pubDate>
				<category><![CDATA[IML News]]></category>
		<guid isPermaLink="false">https://iml.esm.rochester.edu/?p=22474</guid>

					<description><![CDATA[<p><i>Billboard </i>recognizes <a href="https://iml.esm.rochester.edu/degrees-minors-certificates/ma-in-music-leadership/">MA in Music Leadership</a>, Beal Institute for Film Music and Contemporary Media, Electroacoustic Music Studios @ Eastman (EMuSE),  and student-run Ensemble OSSIA</p> <p class="wp-block-paragraph"><a href="https://www.billboard.com/business/business-news/top-music-business-schools-2023-list-1235437174/">Direct link to the article</a></p>]]></description>
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<p><i>Billboard<span class="apple-converted-space"> </span></i>recognizes <a href="https://iml.esm.rochester.edu/degrees-minors-certificates/ma-in-music-leadership/">MA in Music Leadership</a>, Beal Institute for Film Music and Contemporary Media, Electroacoustic Music Studios @ Eastman (EMuSE),  and student-run Ensemble OSSIA</p>



<p class="wp-block-paragraph"><a href="https://www.billboard.com/business/business-news/top-music-business-schools-2023-list-1235437174/">Direct link to the article</a></p>
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		<title>Congratulations recipients of the Paul R. Judy Center for Innovation and Research Grant!</title>
		<link>https://iml.esm.rochester.edu/congratulations-recipients-of-the-paul-r-judy-center-for-innovation-and-research-grant/</link>
		
		<dc:creator><![CDATA[jdunn]]></dc:creator>
		<pubDate>Thu, 02 Nov 2023 13:12:46 +0000</pubDate>
				<category><![CDATA[IML News]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://iml.esm.rochester.edu/?p=22612</guid>

					<description><![CDATA[<p>Congratulations to two organizations on receiving a Paul R. Judy Center for Innovation and Research Grant for the Fall 2023 cycle: Walker West Music Academy and One City Jazz!</p>
<p><a href="https://iml.esm.rochester.edu/congratulations-recipients-of-the-paul-r-judy-center-for-innovation-and-research-grant/">Read more here.</a></p>]]></description>
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<p class="wp-block-paragraph">Congratulations to two organizations on receiving a Paul R. Judy Center for Innovation and Research Grant for the Fall 2023 cycle:</p>



<p class="wp-block-paragraph"><strong>Walker West Music Academy</strong> won a $5,000 grant to support Stringocracy! Call and Response as Social Activism from Vivaldi to Hip Hop – Stringocracy! In conjunction with the national election and the energy from young people to engage in social justice efforts to foster social impact, this project culminates in a 90-minute concert that explores social activism through a “call &amp; response” approach from a cross-section of music genres rooted in the African/African American cultural experience. The ensemble of high school string students will explore improvisation, a highly democratic dialectic form, as expressions of identity through their music performance.</p>



<p class="wp-block-paragraph"></p>



<figure class="wp-block-image size-full"><img decoding="async" src="https://iml.esm.rochester.edu/wp-content/uploads/2023/11/Head-shot-with-trumpet-color.jpg" alt="" /><figcaption>Leah Schuman &#8217;96E (MM) &#8217;01E (DMA)</figcaption></figure>
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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="683" src="https://iml.esm.rochester.edu/wp-content/uploads/2023/11/Walker-West-Kamoinge-String-Ensemble-1024x683.jpg" alt="" class="wp-image-22721" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2023/11/Walker-West-Kamoinge-String-Ensemble-1024x683.jpg 1024w, https://iml.esm.rochester.edu/wp-content/uploads/2023/11/Walker-West-Kamoinge-String-Ensemble-300x200.jpg 300w, https://iml.esm.rochester.edu/wp-content/uploads/2023/11/Walker-West-Kamoinge-String-Ensemble-768x512.jpg 768w, https://iml.esm.rochester.edu/wp-content/uploads/2023/11/Walker-West-Kamoinge-String-Ensemble-1536x1024.jpg 1536w, https://iml.esm.rochester.edu/wp-content/uploads/2023/11/Walker-West-Kamoinge-String-Ensemble-2048x1365.jpg 2048w, https://iml.esm.rochester.edu/wp-content/uploads/2023/11/Walker-West-Kamoinge-String-Ensemble-100x67.jpg 100w, https://iml.esm.rochester.edu/wp-content/uploads/2023/11/Walker-West-Kamoinge-String-Ensemble-150x100.jpg 150w, https://iml.esm.rochester.edu/wp-content/uploads/2023/11/Walker-West-Kamoinge-String-Ensemble-200x133.jpg 200w, https://iml.esm.rochester.edu/wp-content/uploads/2023/11/Walker-West-Kamoinge-String-Ensemble-250x167.jpg 250w, https://iml.esm.rochester.edu/wp-content/uploads/2023/11/Walker-West-Kamoinge-String-Ensemble-120x80.jpg 120w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>Walker West Kamoinge String Ensemble</figcaption></figure>



<p class="wp-block-paragraph"><strong>One City Jazz</strong> from the VanderCook College of Music won a $5,000 grant to support their new drumline.  One City addresses systemic inequity in music education by providing high quality instruments and expert instruction at no cost to children from underserved BIPOC neighborhoods where instrumental music is not provided in the public schools. Those who stick with the program until the end of 8th grade get to keep the instrument to use in high school and beyond. Over 120 children attend every Saturday and play in 1 of 3 jazz ensembles, our Suzuki violin program, or the new drum line. Our world-class, majority BIPOC artistic leadership team composes original repertoire for the program that draws on the rich musical heritage of our neighborhood Bronzeville. Currently, the drumline students are using drum pads to develop basic drumming technique, rhythm reading skills, and build a warm, welcoming ensemble rapport where high standards and expectations are supported and nurtured.  Congratulations to Eastman alumna Leah Schuman &#8217;96E (MM) &#8217;01E (DMA) on her leadership of this program!</p>



<p class="wp-block-paragraph">The Paul R. Judy Center for Innovation and Research is a division of the Institute for Music Leadership (IML) at the Eastman School of Music. The Center’s research and programming emphasizes the 21st Century evolution of the innovative ensemble, influenced by both the symphony orchestra and the chamber music traditions, with a focus on creative, artist-centered ensembles that reflect new models of artistic innovation, organizational relationships, and operational sustainability.</p>



<p class="wp-block-paragraph">The next deadline to apply is February 1, 2024.  <strong>The February 2024&nbsp;grant cycle&nbsp;will be reserved for Eastman students, alumni, faculty and staff, and the organizations they represent.</strong>&nbsp;<a href="https://iml.esm.rochester.edu/apply-for-funding/grants-and-funding/prjc-grant-program-application/" target="_blank" rel="noreferrer noopener">Learn more here.</a></p>
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		<title>Congratulations Fall 2023 IML Mentorship Grant Winners!</title>
		<link>https://iml.esm.rochester.edu/congratulations-fall-2023-grant-winners/</link>
		
		<dc:creator><![CDATA[jdunn]]></dc:creator>
		<pubDate>Mon, 30 Oct 2023 18:34:23 +0000</pubDate>
				<category><![CDATA[IML News]]></category>
		<guid isPermaLink="false">https://iml.esm.rochester.edu/?p=22319</guid>

					<description><![CDATA[<p>Congratulations to the winners of the fall 2023 IML Mentorship grant from the IML: Vincent Huang and Rebecca Bryant Novak!</p>
<p><a href="https://iml.esm.rochester.edu/congratulations-fall-2023-grant-winners/">Read more here.</a></p>]]></description>
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<p class="wp-block-paragraph">Congratulations to the winners of the fall 2023 IML Mentorship grant from the IML!</p>



<p class="wp-block-paragraph">Doctoral candidate <strong>Vincent Huang</strong> &#8217;22E (MM) received an IML Mentorship Grant for his project Golden Tiger International Music Festival &#8211; Trombone Seminar.  He will be launching a weeklong trombone festival located in Nanjing, China in the summer of 2024.  </p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="683" src="https://iml.esm.rochester.edu/wp-content/uploads/2023/10/2-RBN-Photo-1024x683.jpg" alt="" class="wp-image-22459" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2023/10/2-RBN-Photo-1024x683.jpg 1024w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/2-RBN-Photo-300x200.jpg 300w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/2-RBN-Photo-768x512.jpg 768w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/2-RBN-Photo-1536x1024.jpg 1536w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/2-RBN-Photo-2048x1365.jpg 2048w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/2-RBN-Photo-100x67.jpg 100w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/2-RBN-Photo-150x100.jpg 150w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/2-RBN-Photo-200x133.jpg 200w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/2-RBN-Photo-250x167.jpg 250w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/2-RBN-Photo-120x80.jpg 120w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>Rebecca Bryant Novak</figcaption></figure>
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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="683" src="https://iml.esm.rochester.edu/wp-content/uploads/2023/10/head-shot-e1698689056238-1024x683.jpg" alt="" class="wp-image-22322" srcset="https://iml.esm.rochester.edu/wp-content/uploads/2023/10/head-shot-e1698689056238-1024x683.jpg 1024w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/head-shot-e1698689056238-300x200.jpg 300w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/head-shot-e1698689056238-768x512.jpg 768w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/head-shot-e1698689056238-100x67.jpg 100w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/head-shot-e1698689056238-150x100.jpg 150w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/head-shot-e1698689056238-200x133.jpg 200w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/head-shot-e1698689056238-250x167.jpg 250w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/head-shot-e1698689056238-120x80.jpg 120w, https://iml.esm.rochester.edu/wp-content/uploads/2023/10/head-shot-e1698689056238.jpg 1280w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>Vincent Huang</figcaption></figure>



<p class="wp-block-paragraph"><strong>Rebecca Bryant Novak</strong>, a DMA candidate in Orchestral Conducting, received an IML Mentorship Grant for her project, ad hoc, a flexible chamber ensemble.   The group will be performing concerts at Christ Church Rochester and the Harley School in January 2024. </p>



<p class="wp-block-paragraph">The IML Mentorship grant supports independent creative projects led by matriculated Eastman students beyond the scope of their degree.  The next deadline to apply is February 1, 2024.  <a href="https://iml.esm.rochester.edu/iml-grant-and-mentorship-application/" data-type="page" data-id="14923">Learn more here.</a></p>
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		<title>Congratulations to the new Catherine Filene Shouse Arts Leadership Certificate of Achievement (ALP) cohort!</title>
		<link>https://iml.esm.rochester.edu/congratulations-to-the-new-catherine-filene-shouse-arts-leadership-certificate-of-achievement-alp-cohort/</link>
		
		<dc:creator><![CDATA[Kristijan Bogdanovski]]></dc:creator>
		<pubDate>Wed, 04 Oct 2023 15:40:12 +0000</pubDate>
				<category><![CDATA[IML News]]></category>
		<guid isPermaLink="false">https://iml.esm.rochester.edu/?p=22096</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Each year, upperclassmen and graduate students can apply to this competitive program to receive experiential opportunities that complement their primary area of study to support their leadership and career goals. Those accepted into the 2023 cohort include: </p> <div class="wp-block-group is-layout-flow wp-block-group-is-layout-flow" style="padding-top:0em;padding-right:0.5em;padding-bottom:0em;padding-left:0.5em"> <div class="wp-block-columns is-layout-flex wp-container-core-columns-is-layout-e7b3ab7f wp-block-columns-is-layout-flex" style="padding-top:0.5em;padding-right:1em;padding-bottom:0em;padding-left:1em"> <div class="wp-block-column is-layout-flow wp-block-column-is-layout-flow"> <ul class="wp-block-list"><li>Amelia Abouljoud</li><li>Elijah Alexander</li><li>Meihui An</li><li>Olly Bangia</li><li>Brandon</li></ul></div></div></div>]]></description>
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<p class="wp-block-paragraph">Each year, upperclassmen and graduate students can apply to this competitive program to receive experiential opportunities that complement their primary area of study to support their leadership and career goals. Those accepted into the 2023 cohort include: </p>



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<ul class="wp-block-list"><li>Amelia Abouljoud</li><li>Elijah Alexander</li><li>Meihui An</li><li>Olly Bangia</li><li>Brandon Berlanga</li><li>Berithen Chung</li><li>Jack Earnhart</li><li>Alicia Guan</li></ul>
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<ul class="wp-block-list"><li>Lindsay Haukom</li><li>Mary Jedynak&nbsp;</li><li>Yixuan Ling</li><li>Cass Lo</li><li>Ellie Loya</li><li>Anastasia Maritsas</li><li>Charlotte McIntosh</li><li>Ashley Schlusselberg</li></ul>
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<ul class="wp-block-list"><li>Jack Snelling</li><li>Pedro Sperb</li><li>Julian Stuart-Burns</li><li>Mikhail Studenkov</li><li>Seth Tupy</li><li>Floris Van der Veken</li><li>Anne-Marie Wnek</li></ul>
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<p class="wp-block-paragraph">Over the next two years, theses will personalize their experience through course selection, internship choices, and advising by professionals to gain knowledge of the music industry and develop skills to become a leader in the field.&nbsp;</p>
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